Archive for July, 2012

The Electronic Symposium

Posted by Joseph Adamson on July 31st, 2012

(Akseli Gallen-Kallela’s  “The Symposium”)

On 17 August 2009 Michael Happy launched the Northrop Frye weblog.  Michael wrote at the time that “the purpose of this blog is to provide an online meeting place for the Frye community, which, we hope, will extend beyond the university to include those who maintain a lively interest in literature and the arts.”  Michael, who ran the blog almost singlehandedly for more than two‑and‑a‑half years, poured an enormous amount of energy into it.  He has recently taken a break from the daily attention the blog requires.

Joe Adamson, who was a correspondent from the beginning, has taken over the administrative duties from his post at McMaster University (the library at McMaster hosts the blog).  This month marks the third anniversary of the blog, which continues to receive between 8000 and 9000 visitors each month.  In light of that anniversary and of Frye’s 100th birthday earlier this month, it seems to be an appropriate moment to renew the call for contributors.  If you have something to say about Frye or about what others have said about him and his work, then by all means let us hear from you.  Just write to us at adamsonj@mcmaster.ca, or if you would like to remark on someone else’s post, simply go to “Leave a Comment” at the end of the post.   All contributions are, of course, moderated.

Ed Lemond, bookseller, poet, novelist, and longtime advisor to the program committee of the annual Frye Festival, has recently agreed to be a regular correspondent from the Maritimes.  We would like to have other regular correspondents.  This doesn’t mean that you would be obligated to post something every week or even every other month.  But it does mean committing yourself to engaging in the conversation periodically.

The ideal is to create an electronic conversation somewhat like the Platonic symposium––a dialectic of both different points of view and of a common vision of the subject under discussion. We look forward to hearing from you.

Joe Adamson and Bob Denham

Frye Alert: Index to the Collected Works

Posted by Bob Denham on July 27th, 2012

The Index to the Collected Works of Northrop Frye, magisterially compiled by Jean O’Grady, is now out.  See here

The Index will turn out to be the most valuable of the thirty volumes.  Thanks once more to Jean for this exceptional achievement and, of course, to Alvin Lee for his equally exceptional leadership in seeing this grand project to a glorious conclusion.

The Broken Estate

Posted by Ed Lemond on July 24th, 2012

[Wesley Memorial United Church, Moncton, NB]

In his book Northrop Frye: Religious Visionary and Architect of the Spiritual World, Bob Denham lists the half-dozen spiritual illuminations that Frye experienced during his lifetime, and quotes Frye from the late notebooks: “I have spent the greater part of seventy-eight years in writing out the implications of insights that occupied at most only a few seconds of all that time.”

“Moments of intensity,” Frye called them. Epiphanies. Insights. Illuminations. Intuitions. The first occurred in Moncton, one day when he was walking from his home on Pine Street to Aberdeen High School, a distance of about 10 blocks. In an interview with Robert Sandler (recorded Sept. 20, 1979, and quoted in John Ayre’s biography), Frye

remembered walking along St. George St. to high school and just suddenly that whole shitty and smelly garment (of fundamentalist teaching I had all my life) just dropped off into the sewers and stayed there. It was like the Bunyan feeling, about the burden of sin falling off his back only with me it was a burden of anxiety. Anything might have touched it off, but I don’t know what specifically did, or if anything did. I just remember that suddenly that that was no longer a part of me and would never be again.

In April, 2011, when Michael Happy was in Moncton to give a talk at the Frye Festival, he and I spent an afternoon exploring the various Frye sites that mark the city, sites that go back to his time here in the 1920s and new sites created by the festival in the last 13 years. From his house at 24 Pine Street and the Wesley Memorial Church on Cameron we drove and walked along St. George Street, trying to imagine where it was exactly that the albatross was lifted. A likely spot seemed to be at the corner of St. George and Lutz, where the Roman Catholic Cathedral towers above all else and is suitably massive, dark, and forbidding. (Though I know from experience it houses one of the great organs in Canada, and is central to Acadian culture and history.) We snapped pictures of the near-by gutter, thinking we’d surely found the spot. Unfortunately, it turns out that the Cathedral, a fact I should have known, was only built in 1939. So we still do not know where it happened. The important thing, for Frye and for us, is that it did happen.

Yet looking back on the Moncton illumination, Frye realized, as he said to David Cayley in December, 1989 (having said something similar in the Sandler interview):

I wasn’t really brought up with that garment on me at all. Mother told me a lot of nonsense because her father had told it to her, and she thought it must be true and that it was her duty to pass it on. But something else came through, and you know how quick children are at picking up the overtones in what’s said to them rather than what is actually said. I realize that Mother didn’t really believe any of this stuff herself… She thought she did believe it. She thought she ought to believe it. But I can see now that as a child I picked up the tone of common sense behind it. Mother had a lot of common sense in spite of all that stuff.

It’s easy to hear in these words a great affection for his mother, who is the one after all who got him going at the age of 3 or so, with reading and music and much else. It’s one of the reasons no doubt, this affection, that brought him to Moncton in Nov., 1990, two months before his death, to lecture at l’université de Moncton, give a talk at Moncton High School, and in general receive a hero’s welcome. This may have been his only visit to Moncton since the 1940s, when his mother died. One of his primary wishes was to visit her gravesite in Elmwood Cemetery. Read the rest of this entry »

Photo from the Centenary in Moncton

Posted by Joseph Adamson on July 23rd, 2012

From “Frye Statue Celebrates an Icon,” by Margaret Patricia Eaton, Moncton Times, July 12, 2012:

At the unveiling of the Northrop Frye sculpture on July 13 am, standing (from left), Janet Fotheringham, resource and art critic for the project; Dawn Arnold, Frye Festival chair and a Moncton city councillor, Darren Byers and Fred Harrison, sculptors. Sitting next to the Frye statue is Robert Denham, Professor Emeritus at Roanoke College in Virginia, who donated his entire personal collection of writing by and about Frye, valued at $40,000, to the Moncton Public Library. Next to Frye on the bench seat is a book with the following bilingual inscription: “Northrop Frye: Canadian literary critic and theorist considered one of the most influential thinkers of the 20th Century. He spent his formative years in Moncton where he developed the ideas that he would go on to explore the rest of his life and where he established his deep commitment to an informed and civil society.”

And from Bread ‘N Molasses,  “Community Birthday Party to Celebrate Northrop Frye’s 100th Birthday,” by Kellie Underhill, June 28, 2012:

Before the unveiling of the sculpture, the Frye Festival in collaboration with the New Brunswick Public Library Service will announce a major donation by Robert D. Denham to the Moncton Public Library. Professor Emeritus at Roanoke College in Virginia, Robert D. Denham is donating his complete collection of books and objects that belonged to Northrop Frye, along with Frye’s manuscripts, first editions of his books and many other works that feature Frye.

“The New Brunswick Public Libraries Foundation, the New Brunswick Public Library Service, and the Moncton Public Library would like thank Dr. Robert D. Denham, the foremost Northrop Frye scholar in the world, for his generous donation of one of the largest Northrop Frye collections,” says Sylvie Nadeau, Executive Director of New Brunswick Public Library Service. “This eclectic collection includes signed editions of Frye’s works including first editions, paintings and caricatures depicting Frye, audio-visual materials featuring Frye and other treasures that both researchers and the public will enjoy. A highlight of the collection is Frye’s own writing desk and chair from the upstairs room in his Toronto home, which will join Frye’s typewriter at the library. The value of the donation has been appraised at over $40,000. I would like to thank the Frye Festival organization and the Board of the Moncton Public Library for their key role in facilitating this donation.”

Frye’s Personae

Posted by Bob Denham on July 18th, 2012

Frye’s “I had genius” remark reveals one of the masks he wore.  Another is revealed in his statement that The Great Code “was a silly and sloppy book” by the standards of traditional scholarship.  Frye was aware that all of us have countless personae, some no doubt troubling to himself and some troubling to others.  Here is an account of the “village” of characters in his own psyche:

The individual man comprises a multitude of other characters—Jung’s archetypes are surely only a few threshold dwellers. There is at least a good-sized village inside me. Many are children, some are women, & a few may be animals or even monsters. Some are replicas of other people I know, either in personal acquaintance or in reading. They die, but new ones move in & grow up. All this is not pure whimsy—I’m trying to get at a real fact of existence. Ever since Plato people have talked of the state in terms of the individual: what would happen if one were to look at the individual in terms of a society? Suppose Jung’s “anima” were not a feminine figure in me, but the aggregate of all the female characters in me? He says himself that the animus is regularly a group or council. So with me: in the course of a day, even a day spent in pure solitude, I should go through a bigger dramatic repertoire than any commedia dell’arte. Pedants, buffoons, comedians, debaters, politicians, hermits, saints, sages, middling-sensual men, suburban bourgeoisie all dispute within me, & everything I do & say is the calculus of probabilities resulting from their competition within me. A good deal of behavior shows this. The “censor” could be a whole Sanhedrin, & the kind of experience of conversion described by William James in his chapter on healthy-mindedness corresponds point for point to a political revolution [The Varieties of Religious Experience (New York: New American Library, 1958), 76–111 (Lectures 4 and 5)]. In Victorian times it was fashionable to be patriarchal or matriarchal: only the older & graver heads spoke, & within the individual, as within society, children were seen but not heard. Nowadays democracy is fashionable: we disapprove of censors, allow our women & even children a voice in our assemblies, & if we do not allow our perverts or Calibans to speak, at least we try to locate them & keep a police record of them. Democracy turns easily into a police state, & it is easy for people with liberal & open societies inside them to become converted to a rigorous totalitarian dialectic. I suppose two-party opposition-patterns are more common—nearly everyone is aware of some dividing contrast in his attitudes & moods. I think of all these characters as dramatis personae, speaking masks. Perhaps most of them inhabit a sort of Gentiles’ outer court, the real decisions (every thought is a decision, a bill that’s had two readings & committee in a well-regulated mind) being made by a small cabinet within of high priests. Whether there is one high priest or supreme pontiff I don’t know. This veers toward an idea I’ve had for a long time, that Jesus’ cleansing of the temple & his casting of devils out of individuals were exactly the same act. The thing that’s difficult to grasp is that it’s only the holiest of holies that are socially visible: all the outer courts are hidden. Thus each man looks consistently like one man: only in anarchy do the money-changers & dove-sellers suddenly appear in his face or conversation. Ordinarily he presents the appearance of one man interpreting the will of a small & fairly homogeneous group. Thus for an elect Christian, Christ cleanses the temple, or casts out devils, or harrows hell, redeeming & releasing the bound spirits, or separates sheep from goats, all of these activities being the same.